I first saw you in the movie Happiness. Your raw-ugly-beautiful performance cut through to my heart in a way I had never experienced before. “This guy isn’t afraid of anything,” I thought. “He’s fearless.” And you did it again and again: in Magnolia, Boogie Nights, Capote, Synecdoche, Jack Goes Boating, A Late Quartet. Balls out, I would call it now, with great admiration.
More recently I saw you at one of the Happy Talks at the Rubin Museum of Art. You sat with philosopher Simon Critchley and were as real and thoughtful and imperfect as I imagined you. The way you dropped your head into your hand to fully consider whatever probing question your co-host had posed. As if you needed to remove yourself from the presence of all our eager eyes in order to touch something deep inside, to find an uncompromising truth.
At one point he asked…
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